The Guardian

Dalam imajinasi seniman, Dhanyang diwujudkan menyerupai bunga kenanga dengan tangan terbuka, berdiri tegak seolah menjaga harmoni agar kehidupan tetap seimbang. Melalui pendekatan surealis, karya ini menghadirkan tafsir visual tentang hubungan manusia, alam, dan kekuatan yang dipercaya senantiasa menjaga keseimbangan kehidupan.

Karya ini relevan untuk koleksi Seni Surealisme Kontemporer, Galeri Seni Jakarta, Seni Asia, dan karya dari Seniman Muda.

In the artist's imagination, the Dhanyang is embodied as a kenanga (ylang-ylang) flower with open hands, standing tall as if guarding harmony to keep life in balance. Through a surrealist approach, this work presents a visual interpretation of the relationship between humanity, nature, and the forces believed to continually sustain the balance of life.

This piece is ideal for collections of Contemporary Surrealism, Jakarta art galleries, Asian art, and works by emerging artists.

Tentang Seniman :

Desta Aji Saputra lahir pada tahun 1995 di Boyolali. Ia merupakan lulusan S1 dari Institut Seni Indonesia Surakarta dan sudah berkarya lebih dari 2 tahun. Saat ini, Desta sedang menekuni teknik decalcomania yang diadopsi dari Max Ernest. Ia suka menggambar karakter-karakter yang ia dapati dari pembacaan novel ‘Centhini’ karya Elizabeth D Inandiak.

About Artist :

Desta Aji Saputra was born in 1995 in Boyolali. He graduated with a bachelor's degree from the Indonesian Institute of the Arts in Surakarta and has worked for over two years. Currently, Desta is pursuing the decalcomania technique adopted by Max Ernst. 

He enjoys drawing characters inspired by the novel 'Centhini' by Elizabeth D. Inandiak.